In loving memory of
James "Jim" Barry MacSwain
The family have chosen this music to commemorate their loved one.
James “Jim” Barry MacSwain died at home, at the time and in the manner of his choosing, on 6 September 2025, surrounded by friends and family.
A son of the late James and Marion (Price) MacSwain, Jim is survived by brothers Ivan “Ted” (Joy) and Carl (Rose) MacSwain, by Carl’s children, Daniel, Scott and Robbie, and Ted’s step-children Laura, Tanya, Darren, Jaye and Szarina, and by Jim’s partners of many years, Andrés Guibert and Andy Paterson.
Growing up in Amherst, Jim realised at an early age that his gayness and his interest in the arts did not fit the mould of what was expected for boys in small-town Nova Scotia. Through a course of studies at Mount Allison University, and influenced by the existentialism of Jean-Paul Sartre, he found his way to an accepting community, and to a proud chosen identity as an artist and a gay man.
Active in many media, Jim was particularly recognised for his stop-action animated films and visual art works employing collage techniques to explore classical and contemporary mythologies and Queer desire. His works were filled with profuse images of flowers, outer space, dragons and Marilyn Monroe. He was also a writer of poetry, fiction and plays, and appeared on stage and screen as a musician, actor, puppeteer and performance artist. He co-founded the Gargoyle Puppet Theatre, which toured extensively in the 1980s.
Together with a group of artists in theatre, music and film, Jim was an original member in the early 1970s of a long-lived cooperative house on Brunswick Street that has served for more than five decades as a social centre and point of call for artists in all media. Jim is survived there by his housemates, Linda and Sandy Moore, respectively a former Artistic Director of Neptune Theatre and a noted composer, and by filmmaker Lulu Keating.
Jim served the arts community as an administrator and volunteer, with such organisations as the Centre for Art Tapes, Atlantic Filmmakers’ Coop, and Atlantic Independent Media, and on many juries for provincial and federal arts funding agencies. He was active until the end as a member of the Manual Training Collective, maintaining a studio in downtown Halifax. His generosity, particularly as a mentor to emerging artists, including many from Queer, Trans and racialised communities, was one of the contributions recognised in 2011 when he received the Portia White Prize, Nova Scotia’s most prestigious award for artists. Memorably, in accepting the award, Jim gave an impromtu performance of singing the names of all the preceding recipients of the Prize.
Coming of age in a time when Canadian law criminalised homosexuality and offered no protection from violence and discrimination, Jim was active in the Halifax movement for gay liberation from its early days in the 1970s, participating in the earliest demonstrations for lesbian and gay rights in 1977 and helping to organise cultural activities associated with the national conference held in Halifax in 1978. That conference featured an original musical based on the police raid, the previous year, of a Montréal gay bar. Jim appeared as an actor in The Night They Raided Truxx. Through the 1980s, with fellow activist and curator, Robin Metcalfe, Jim organised a series of exhibitions in Halifax, Art by Gay Men.
In the early 1990s, while working at the Canadian Film Makers Distribution Centre in Toronto, He collaborated with artist Greg Wight on such works as The Medicine Show, dealing with the corporate exploitation of the AIDS Crisis.
In his later years, Jim produced a series of artist’s books, first with Jo Cook of Perro Verlag press, then in collaboration with artist Bob Williams, who created artworks to accompany Jim’s texts, resulting in a new book each December. The last in that series will be published at the end of 2025.
Jim was a resolute defier of conventions who chose to be an artist and to be free. He was the subject of a feature-length documentary film, Celestial Queer, directed by Eryn Foster and Sue Johnson. It premiered at the Atlantic International Film Festival in 2023 and won the award for Best Atlantic Documentary Feature. A cross-country series of screenings is planned for 2026. The collective Hermes Gallery on North Street, of which Jim was a member, will present an exhibition of Jim’s recent “shadow-box” works from late November into December.
Jim suffered a series of injuries and illnesses over the past five years that hampered his mobility. As it became evident, in the past several months, that his health had deteriorated to a critical point, members of his wide network of friends pulled together to organise medical and practical support for Jim and for his principal care-giver, Andrés. Among those assisting in various ways were Jeffrey Cowling, Paula Danckert, Nicola Lipman, Robin Metcalfe, Lorca Moore and Robert Wright. Andrés and Lorca, in particular, provided exhaustive daily support to Jim’s care needs in his final days.
In accordance with Jim’s wishes, his life was celebrated by a host of his friends gathered on the day of his death by MAID, to say good-bye and wish him bon voyage. Sandy Moore delivered a moving toast, and everyone, including Jim, sipped champagne in honour of a life well lived.
Various groups and organisations with which Jim was associated will be marking and celebrating his life through events over the next few months.
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SERVICES & GATHERINGS
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Arrangements for Jim have yet to be finalized.FAVOURITE CAUSES
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PHOTOS
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Dear Jim … I remember you so well from when I was about 20. In fact, you were one of the most interesting people I ever met. I am visiting Moncton this week and spent a day in the Tantramar Marsh. You used to talk about the marsh. It has been on my bucket list for a long, long time.
So goodbye my friend. Wish I could talk to you again.
Susan Rockwood (from Newfoundland). My last name is now Khaladkar.